This series was based on a simple principle: subjectivity.
An artist, even if linked to a label, a movement or some other implicit connection,is at first an individual facing the challenge to establish a communication process through his ‘tools’ (the focus is put on electronic expression). When exposed to the media, the electronician often becomes an abstract and anonymous vector of sounds.subjectivity. In this selection of the work provided, the musicians had a total creative freedom in a parametric space of approximately
15 minutes (only restriction), to be divided or utilized in order to present a single piece.
The music can express a continuity or a rupture in the musician’s production (more experimental or commercial form). the settings stand for the unique way one will use his gears to reach a personal expression to be shared with the audience. all about subjectivity and giving back the artists their own identity.
On this first volume you will find new tracks from
Mark Nelson (aka Pan American), Frank Bretschneider (aka Komet) and Joe Kingman (aka Fisherofgold).
Thanks to them for their help and kindness and open-minded vision.
Quatermass QS127/Preset 1 | 2001
01. PAN AMERICAN - TRAIN STATION
02. PAN AMERICAN - THE PASSAGE
03. KOMET - STAB
04. KOMET - EIST
05. KOMET - PASS
06. FISHEROFGOLD - LAPIS LAZULI
Pan American ∙ All music by Mark Nelson ©2001
Komet ∙ All music by Frank Bretschneider ©2001
Fisherofgold ∙ All music by Joe Kingman